I’m doing a series on German history in the 20th century on my blog this year. In intervals of 10 years, I pick a crucial event and explore it – with the help of precisely one board game. You can find the previous posts here:
How time flies – it is already the sixth installment of my series on board games about the Cold War (here are parts 1, 2, 3, 4, and 5). Today, we go to the very end of the Cold War – the collapse of Communism in Central and Eastern Europe in 1989: Dawn of Freedom (Ted Torgerson/Jason Matthews, GMT Games). As usual, we’ll look at it in both game and academic terms.
1989 is a strongly asymmetric game – one player represents a group of Communist governments, the other player takes her on with the power of a plethora of different non-state dissidents. Still, both players use the same rules and mechanisms (which makes the rules half as long and the game twice as easy to learn). How come the two sides still feel very different to play? – The answer lies in the theme of the cards. Here the game paints a rich picture of power and protest in a tense moment in history.
We instinctively turn towards the spatial dimension in our understanding of history. We write the histories of places, cities, countries, and sometimes even bigger regions like the Mediterranean Sea. Often, this acknowledgement of the spatial is a mere sorting mechanism – what belongs in my history, and what must go out? History can be understood more comprehensively, however, if the spatial dimension is fully embraced, understood in context, and applied to all sorts of historical inquiry. We know that Russia is vast, but what does that mean for Russian history? 1989 is spatial without remaining in the mere geographical. It offers a rich blend of the topological and social qualities of the space in its rules, map and gameplay. We’ll have a look at the mechanisms that allow for that as well as at some specifics on the map and how they influence the game.